Search: Starring Harris Dickinson

Halina Reijn's film is a rewarding piece of work, in no small part because of how it challenges its subjects and its audience.

British actor Dickinson – surely on the first step to a lot more film roles – slides seamlessly into Frankie’s groove, the accent and the body language spot on.

What you suspect will happen almost certainly will

Efron...brings patience and grace to a role which could have been played much more conventionally, and elevates the whole.

From a technical standpoint, Vaughn and the cinematographer Ben Davies outdo themselves.

An interesting side to this film is how Disney continue to stick two fingers up to the reactionaries.

Simultaneously bold, sweet and sometimes off-putting.

Hogg has always had an eye for architectural as well as emotional spaces and we see it here, as she floods the large rooms of Julie's parents' home with light, so that she almost seems to be paling out of them, which, coupled with her often silent reactions as others babble around her makes it seem as though she is the one who might be the ghost.

A roller-coaster of the effects of absolute power corrupting absolutely.

With no reason to fear for her safety, the bulk of the film feels like a soap opera.